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Translators Aloud is a YouTube channel devoted to sharing the work of literary translators, for both published and unpublished works.

We provide a space for translators to read their own work and a positive platform for sharing great literature, read aloud by the translators themselves.

We showcase the world’s best new and classic books, poetry, plays, and short stories, presented by the talented people who translate them.

Recent Readings
Red Moon is a novel teeming with enigmas, mysteries, and curiosities, including the symbolic meanings of gemstones found beside the murderer’s victims. The crimson moon and full moons that feature throughout the story carry profound significance. As Margarita Landi once told Nieves Herrero, “If a full moon has a red halo, a crime will be committed that night.” This chilling statement sets the tone for the novel and questions the link between full moons and criminal minds. “The story has all the ingredients to keep you glued to the book’s pages. There won’t be just one crime, but multiple. There won’t be just one sole suspect, and throughout the plot, we will logically deduce who it is and arm ourselves for the investigation. There won’t be just one red moon. I invite you to read this novel published by Ediciones B in 2024. We will keep discovering that books shouldn’t be boxed in by a trend, or have an expiry date.” (https://pasionpais.net/cultura/luna-roja-en-el-cielo-de-nieves-herrero/) The full sample for Red Moon is available here - https://alannahpurslow.websitesfortranslators.dev/wp-content/uploads/2025/10/RED-MOON-SAMPLE.pdf For rights information, please contact: Sofia Di Capita (sofia@antoniakerrigan.com) Translator bio Alannah Purslow is a Spanish and French literary translator based in Wales. She graduated from her M.Phil in Literary Translation (Trinity College, Dublin) in Spring 2025. Her debut translation, Fast Cars, was released last September (Welbeck Children's Books, Hachette Children’s Group, 2025). She is a storyteller at heart, intrigued by how our relationships and life experiences are interconnected to how we perceive and create art. Author bio Nieves Herrero (1957 -) was born in Madrid. She has a degree in Journalism from Madrid’s Universidad Complutense and a Law degree from Universidad Europea, with an addition year of study in the Criminology Department of the Universidad Camilo José Cela. She has spent decades working a journalist in the press, radio and television and her media trajectory has been recognised as one of the most award-winning in the profession. She is the author of the best sellers Lo que escondían sus ojos [What Her Eyes Concealed] (2013, La Esfera de los Libros), the TV adaption of which beat audience records and won an Ondas award; Como si no hubiera un mañana [As If There Was No Tomorrow] won a Premio de la Crítica de Madrid [Madrid Critic’s Award] in 2015, Carmen (2017, La Esfera de los Libros), which stayed on the best-seller list for sixty weeks and was one of Spain’s highest selling historical fiction books as well as being the only authorised biography of Carmen Franco; Esos Días Azules [Those Blue Days] (2019), El joyero de la reina [The Queen’s Jeweller] (2022) unanimously loved by critics and public alike. La Baronesa [The Baroness] (2023) was also a resounding editorial success. Passionate about good stories and crime novels, Nieves Herrero continues her literary canon, praised by tens of thousands of readers, with Luna roja [Red Moon] (2024).

This video is private.

YouTube Video VVVqYXE5T1Nwb0Vlb2hQbUs4WlQtQzd3LkVIUmVxbXRrbU9j

Alannah Purslow reads from Nieves Herrero's RED MOON (seeking a publisher)

29 Jan, 2026 10:15 am

THERE WAS A TIME FOR SUCH A WORD, Gianni Solla's debut novel in English, has been translated into thirteen languages. Set in a remote part of southern Italy during World War II, it tells the story of Davide, an illiterate pig keeper. His three-sided friendship with Nicolas, a Jewish boy whose family has been banished from Naples, and Teresa, the daughter of a village ropemaker, inspires him to seek liberation through language and learning. Their relationship takes them through the perilous terrain of adolescence in which harsh choices lead to betrayal and remorse. David is forced to escape from a cruel family life to the rubble-strewn streets of Naples where he finds salvation in back-alley theaters through the transformative power of storytelling. As the years pass, he resolves to search for his two lost friends, bringing this heartrending story to its conclusion. “With There Was a Time for Such a Word, Gianni Solla has written a very subtle, quiet story about friendships forged in times of inhumanity.” — Nürnberger Nachrichten “Gianni Solla has written a love story of overwhelming power that unfolds in three parts and reads as thrillingly as a crime novel.” — Badische Neueste Nachrichten Translator bio RICHARD DIXON translated the last works of Umberto Eco, including his novels The Prague Cemetery and Numero Zero. Other translations include works by Giacomo Leopardi, Carlo Emilio Gadda, Paolo Volponi, Roberto Calasso, Antonio Moresco and Stefano Massini. He translated Pope Francis’s Hope: The Autobiography in January 2025. His reading from Paolo Volponi’s THE WORLD MACHINE for Translators Aloud can be found at: https://www.youtube.com/watch?v=D7LBdrLMDoI Author bio GIANNI SOLLA was born and lives in Naples. He has published short stories in international anthologies and literary magazines, and collaborated with Il Napoli from 2006 to 2010. His novel Airbag (2008) was followed by Il fiuto dello squalo (2012) and Tempesta madre (2021).

THERE WAS A TIME FOR SUCH A WORD, Gianni Solla's debut novel in English, has been translated into thirteen languages. Set in a remote part of southern Italy during World War II, it tells the story of Davide, an illiterate pig keeper. His three-sided friendship with Nicolas, a Jewish boy whose family has been banished from Naples, and Teresa, the daughter of a village ropemaker, inspires him to seek liberation through language and learning. Their relationship takes them through the perilous terrain of adolescence in which harsh choices lead to betrayal and remorse. David is forced to escape from a cruel family life to the rubble-strewn streets of Naples where he finds salvation in back-alley theaters through the transformative power of storytelling. As the years pass, he resolves to search for his two lost friends, bringing this heartrending story to its conclusion.

“With There Was a Time for Such a Word, Gianni Solla has written a very subtle, quiet story about friendships forged in times of inhumanity.” — Nürnberger Nachrichten “Gianni Solla has written a love story of overwhelming power that unfolds in three parts and reads as thrillingly as a crime novel.” — Badische Neueste Nachrichten

Translator bio
RICHARD DIXON translated the last works of Umberto Eco, including his novels The Prague Cemetery and Numero Zero. Other translations include works by Giacomo Leopardi, Carlo Emilio Gadda, Paolo Volponi, Roberto Calasso, Antonio Moresco and Stefano Massini. He translated Pope Francis’s Hope: The Autobiography in January 2025.
His reading from Paolo Volponi’s THE WORLD MACHINE for Translators Aloud can be found at: https://www.youtube.com/watch?v=D7LBdrLMDoI

Author bio
GIANNI SOLLA was born and lives in Naples. He has published short stories in international anthologies and literary magazines, and collaborated with Il Napoli from 2006 to 2010. His novel Airbag (2008) was followed by Il fiuto dello squalo (2012) and Tempesta madre (2021).

YouTube Video VVVqYXE5T1Nwb0Vlb2hQbUs4WlQtQzd3LnJLQnVfaDFDd1Nj

Gianni Solla & translator Richard Dixon read from THERE WAS A TIME FOR SUCH A WORD (HarperVia, 2025)

22 Jan, 2026 3:01 pm

The text captures a single moment under a microscope: trees, a river, streets, and a hospital blur into one field of perception. A man dissolves into an inner drift of memory and vision; reality slips as he imagines falling into the river, where forms lose their clarity—a confrontation with both mortality and origin. A child repeatedly interrupts this inward descent, pulling the speaker back into the physical, sensory world. The man oscillates between wandering and reality, surrender and return. In the end, the river resumes its ordinary flow. Children play, birds fly, and life continues unchanged. Translator bio Oumayma Oueghlani, a Tunisian, writes and translates from a small grey desk as she watches the lemon tree sway. She has been observing life for twenty years. https://dlib.nyu.edu/aco/book/columbia_aco003072/1 ( this is a link to the free PDF version as this short story is a part of a literary magazine published in the 70s)

The text captures a single moment under a microscope: trees, a river, streets, and a hospital blur into one field of perception. A man dissolves into an inner drift of memory and vision; reality slips as he imagines falling into the river, where forms lose their clarity—a confrontation with both mortality and origin.

A child repeatedly interrupts this inward descent, pulling the speaker back into the physical, sensory world. The man oscillates between wandering and reality, surrender and return.

In the end, the river resumes its ordinary flow. Children play, birds fly, and life continues unchanged.


Translator bio
Oumayma Oueghlani, a Tunisian, writes and translates from a small grey desk as she watches the lemon tree sway. She has been observing life for twenty years.

https://dlib.nyu.edu/aco/book/columbia_aco003072/1 ( this is a link to the free PDF version as this short story is a part of a literary magazine published in the 70s)

YouTube Video VVVqYXE5T1Nwb0Vlb2hQbUs4WlQtQzd3LkNOOG9pbWVqWkFz

Oumayma Oueghlani reads from Fares Al Anwar's "A story of the trees"

15 Jan, 2026 3:00 pm

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